Movie Reviews

‘Liar Liar’: Only Liars Will Say It’s Not Funny

Let’s talk about Jim Carrey. Say what you will about his ever–evolving takes on the…

Review: Dumbledore’s Secrets are Revealed in the Latest Fantastic Beast Installment

It’s been three and a half years since the latest dive into the Wizarding World…

Review: ‘Morbius’ is a Surprisingly Good Movie on Health Privilege 

Written by: Diandra Reviews When it comes to delays, cancellations, and production hiccups, Morbius was…

Review: ‘The Devil You Know’ Challenges the Weight of Family Loyalty

Blood is indeed thicker than water and family ties are tested in the new dramatic…

Surviving the “Political Crap” in HBO’s ‘How to Survive a Pandemic’

Do not be fooled by the title of Academy Award-nominated director David France’s documentary: this…

Cult Classics: ‘New Jack City’ is Clunky at Heart with its Timely Messages

It feels only appropriate that we compare 1991’s New Jack City to 1983’s Scarface.  Both…

‘The Lost Boys’ through a ‘Dracula’ Lens Highlights the Film’s Queer Subtext On Its 35th Anniversary

The Lost Boys has long been recognized as an essential example of queer horror, but for anyone still on the fence here are some final nails in the coffin of the theory. 

SXSW 2022 Review: ‘Bitch Ass’ is Predictable and Misses the Mark

Writer/Director Bill Posley’s Bitch Ass is just plain awful. In this predictable revenge horror/comedy, a…

SXSW 2022 Review: ‘Diamond Hands: The Legend of WallStreetBets’ Explores the Eccentric Community of Retail Traders

Full disclosure here: this writer is very familiar with the saga behind GameStop’s stock and…

SXSW 2022 Review: ‘A Lot of Nothing’ Gives Everything it Has

If When Keeping It Real Goes Wrong were a movie, it would be A Lot…