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5 Reasons Why Guy Gardner Is the Most Hated Green Lantern
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Legacy and Light: J. Alphonse Nicholson on ‘Freight’, Fatherhood, and Stepping Into the DC Universe
‘Wait Until Tomorrow’: A Conversation with Filmmaker Osato Dixon
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
About BGN
Movie Reviews
TV Reviews
Book Reviews
Interviews
Exclusives
Podcast
BGN Store
Contact Us
Dark
Light
Now
Week
Month
5 Reasons Why Guy Gardner Is the Most Hated Green Lantern
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Legacy and Light: J. Alphonse Nicholson on ‘Freight’, Fatherhood, and Stepping Into the DC Universe
‘Wait Until Tomorrow’: A Conversation with Filmmaker Osato Dixon
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
André Holland
Sundance 2025 Review: Exploring Love and Identity in ‘Love, Brooklyn’
The Cast of ‘The Big Cigar’ on Huey P. Newton’s Break into the Entertainment Industry
Building a Cool Career Behind the Camera: ‘The Underground Railroad’s’ Editor, Oscar Nominee Joi McMillon
Amandla Stenberg and André Holland Star in the Limited Netflix Series ‘The Eddy’
André Holland and Zazie Beetz ‘High Flying Bird’ Launching Exclusively on Netflix
BGN TV Review: ‘Castle Rock’
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