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5 Reasons Why Guy Gardner Is the Most Hated Green Lantern
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
Legacy and Light: J. Alphonse Nicholson on ‘Freight’, Fatherhood, and Stepping Into the DC Universe
‘Wait Until Tomorrow’: A Conversation with Filmmaker Osato Dixon
About BGN
Movie Reviews
TV Reviews
Book Reviews
Interviews
Exclusives
Podcast
BGN Store
Contact Us
Dark
Light
Now
Week
Month
5 Reasons Why Guy Gardner Is the Most Hated Green Lantern
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
Legacy and Light: J. Alphonse Nicholson on ‘Freight’, Fatherhood, and Stepping Into the DC Universe
‘Wait Until Tomorrow’: A Conversation with Filmmaker Osato Dixon
Film Reviews
Sundance 2018 Review: ‘Akicita: The Battle of Standing Rock’
BGN Film Review: ‘Flower’
SXSW 2018 Review: ‘Isle of Dogs’
BGN Film Review: ‘Pacific Rim Uprising’
SXSW 2018 Review: ‘The Breaker Upperers’
SXSW 2018 Review: ‘Ready Player One’
SXSW 2018 Review: ‘Pass Over’
SXSW 2018 Review: ‘Unfriended: Dark Web’
BGN Film Review: ‘The Forgiven’
BGN Film Review: ‘Midnighters’
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