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Inside the Campaign: How Sony Marketed a Black-Led Hit with ‘One of Them Days’
5 Reasons Why Guy Gardner Is the Most Hated Green Lantern
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
Legacy and Light: J. Alphonse Nicholson on ‘Freight’, Fatherhood, and Stepping Into the DC Universe
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
About BGN
Movie Reviews
TV Reviews
Book Reviews
Interviews
Exclusives
Podcast
BGN Store
Contact Us
Dark
Light
Now
Week
Month
Inside the Campaign: How Sony Marketed a Black-Led Hit with ‘One of Them Days’
5 Reasons Why Guy Gardner Is the Most Hated Green Lantern
Tribeca 2025 Review: Tina Romero Makes a Fierce Debut with Queer Zom-Com ‘Queens of the Dead’
Legacy and Light: J. Alphonse Nicholson on ‘Freight’, Fatherhood, and Stepping Into the DC Universe
Tribeca 2025 Review: Logic’s Feature Debut ‘Paradise Records’ Is a Rollicking Good Time
Film Reviews
Sundance 2018 Review: ‘And Breathe Normally’
Sundance 2018 Review: ‘Beast’
Sundance 2018 Review: ‘Nancy’
Sundance 2018 Review: ‘Come Sunday’
BGN Film Review: ‘Like Me’
Sundance 2018 Review: ‘Minding the Gap’
Sundance 2018 Review: ‘Assassination Nation’
BGN Short Film Review: ‘Watu Wote: All of Us’
BGN Film Review: ‘Maze Runner: The Death Cure’
Sundance 2018 Review: ‘Revenge’
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